|
|
|
|
|
|
Hans holbein the younger
Portrait of an Unknown Man Holding Gloves
Portrait of an Unknown Man Holding Gloves. Oil and tempera on oak, 44.4 x 34.2 cm, English Heritage, Audley End. Scholars have estimated the approximate date of the painting from the sitter's high collar and short hair.
Date c. 1540 - 43
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
Duchess of Milan
1538(1538)
Medium Oil on oak
Dimensions 179.1 x 82.6 cm
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
Portrait of an Unidentified Man, possibly the goldsmith Hans of Antwerp
Portrait of an Unidentified Man, possibly the goldsmith Hans of Antwerp. Oil and tempera on oak, 13 cm Date c. 1535 - 40
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
Portrait of a Man
Oil and tempera on oak, 61 x 46.8 cm
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
Portrait of Thomas More
Date 1527(1527)
Medium Oil on oak
Dimensions 74.2 x 59 cm (29.2 x 23.2 in)
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
Portrait of Henry VIII
Oil on canvas, 240.3 x 148 cm,
Date 1550-99
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
Jane Seymour, Queen of England
Date 1536(1536)
Medium Oil on wood
Dimensions Height: 65.5 cm (25.8 in). Width: 40.5 cm (15.9 in).
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
The Ambassadors
Date 1533(1533)
Medium Oil on oak
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
The Ambassadors
Date 1533(1533)
Medium Oil on oak
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
Noli me Tangere
Date 1524(1524)
Medium Oil on wood
Dimensions Height: 76.8 cm (30.2 in). Width: 94.9 cm (37.4 in).
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
Adam and Eve
1517(1517)
Medium Oil on paper mounted on wood
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
Portrait of Thomas More
1527(1527)
Medium Oil on oak
Dimensions 74.2 x 59 cm (29.2 x 23.2 in)
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
Portrait of John Chambers
1543(1543)
Medium Oil on oak
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
Robert Cheseman
1533(1533)
Medium Oil on oak
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
Christina of Denmark
1538(1538)
Medium Oil on oak
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
Portrait of a Member of the Wedigh Family
1532(1532)
Medium Oil on wood
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
Portrait of the Merchant Georg Gisze
1532(1532)
Medium oil on panel
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
Portrait of the Merchant Georg Gisze
1532(1532)
Medium oil on panel
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
Erasmus
1523(1523)
Medium oil on panel
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hans holbein the younger
Christina of Denmark
1538(1538)
Medium oil on oak
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| Hans holbein the younger
|
b. 1497, Augsburg, d. 1543, London
was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century.[2] He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father, Hans Holbein the Elder, an accomplished painter of the Late Gothic school. Born in Augsburg, Holbein worked mainly in Basel as a young artist. At first he painted murals and religious works and designed for stained glass windows and printed books. He also painted the occasional portrait, making his international mark with portraits of the humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditional religious patrons. His Late Gothic style was enriched by artistic trends in Italy, France, and the Netherlands, as well as by Renaissance Humanism. The result was a combined aesthetic uniquely his own. Holbein travelled to England in 1526 in search of work, with a recommendation from Erasmus. He was welcomed into the humanist circle of Thomas More, where he quickly built a high reputation. After returning to Basel for four years, he resumed his career in England in 1532. This time he worked for the twin founts of patronage, Anne Boleyn and Thomas Cromwell. By 1535, he was King's Painter to King Henry VIII. In this role, he produced not only portraits and festive decorations but designs for jewellery, plate, and other precious objects. His portraits of the royal family and nobles are a vivid record of a brilliant court in the momentous years when Henry was asserting his supremacy over the English church. Holbein's art was prized from early in his career. The French poet and reformer Nicholas Bourbon dubbed him "the Apelles of our time".[3] Holbein has also been described as a great "one-off" of art history, since he founded no school.[4] After his death, some of his work was lost, but much was collected, and by the 19th century, Holbein was recognised among the great portrait masters. Recent exhibitions have also highlighted his versatility.
|
